Narrated by the incarnate ghost of a deceased real hair donor. In the post-war era, the export of real hair wigs contributed to Asia’s economic development, with Hong Kong as a major hub. In its heyday in the 1960s, ‘Asian real hair’ was popular with wealthy U.S. women, but then the USA imposed an embargo on the product, now classified as ‘communist hair’. This is where the intricate and innovatively realised story begins: Starting with complex economical and sociopolitical contexts, it weaves a thread that runs through various historical and dreamlike staged levels. 　　Hong Kong was and is a space of in-between-ness — between East and West, between communism and capitalism. Perhaps that is why there are so many spooks in the city, one protagonist speculates. Just like the well-travelled ghost, an eternally wandering entity and contemporary witness of an imperial and colonialist past. (源自: Courtisane Festival 2024)

技艺精湛的木匠/雕刻家左甚五郎，在修缮江户城时因一场政治阴谋引发的“事故”，被同事陷害，失去了右臂和父亲。 几十年后…… 他带着搭档“睡猫”和武器化的义肢踏上了复仇之旅。 人们开始称他为 Jingoro“Hidari”，在日语中意为“左撇子”。左甚五郎最终打败了所有背叛他的敌人，但他得知德川幕府是幕后黑手，并开始调查。 他一路寻找线索，与机械兵大军战斗。 最终遇到了所有罪行的幕后黑手，然而他必须先组织江户城中的阴谋，因为江户城已经变成了大规模杀伤性武器！

故事发生在很久很久以前，一个终于平定了长久内乱的岛国凤来国。 　　伊达土门受到诬陷被关入监狱岛。他已经在这个看守严密的天险之岛上幽闭了整整十年，却依然热切地渴望着复仇，复仇是支撑他活下去的力量源泉。在监狱岛深处关着一名叫做佐治的神秘奇人。在佐治的帮助下，伊达越狱成功，又走在了阳光之下。伊达如愿迈上复仇之路。不料曾经相誓携手白头的美古都出现在他面前。@www.aixiaoju.com

法国西北边的布列塔尼小镇，学校教师乔乐崇尚人道救援，鼓吹镇长与民意代表收留乌克兰难民，还找来电视台记者报导。谁知乌克兰人太抢手，被认领一空，来到小镇的竟是一家六口的叙利亚人。双方不只语言难沟通，连思考方式、饮食习惯，甚至是房子的水管都不通。镇民期待落空态度丕变，难民强颜欢笑坐立难安，彼此磨擦不断，还导致居民难堪私事即将被揭穿，夹在中间的乔乐到底该怎么办？

法国西北边的布列塔尼小镇，学校教师乔乐崇尚人道救援，鼓吹镇长与民意代表收留乌克兰难民，还找来电视台记者报导。谁知乌克兰人太抢手，被认领一空，来到小镇的竟是一家六口的叙利亚人。双方不只语言难沟通，连思考方式、饮食习惯，甚至是房子的水管都不通。镇民期待落空态度丕变，难民强颜欢笑坐立难安，彼此磨擦不断，还导致居民难堪私事即将被揭穿，夹在中间的乔乐到底该怎么办？

一个县城女人因为一篇诬陷的诈骗案报道，走上了澄清自己的道路，却在这过程中沦为了“诈骗犯”。 　　虚实之间的信任、公平和人性将在此片中讨论。 　　A county woman desires to withdraw a media report that frames her as a fraudster, but the report already turns her into one during her journey to seek help from polices and the reporter.

暂无剧情简介

An in-depth examination of labor-management issues in Korea, the film was barred by the government from entering any domestic or international film festivals.